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Untitled (Documentary) 

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Every single photograph is the most faithful representation of the street, five photographs a day has become a habit and gradually form a scene of incongruity where is about a road, a road leads to my consciousness along with piecemeal, fuzzy noise which seems to perfectly match the photographs on the wall, but aren't completely related.

在宏宏的照片中,每一張都如實地記錄了路上的景象。每天五張的即影即有照片似乎漸漸構成了一道觀景,那是關於一條街道,也是關於我的意識。旁邊零碎失真的雜訊充斥著整個空間,似是陳述著牆上的影像,其實又不盡相關,組成一道突兀的景觀。

Untitled (Documentary),2022

Instant camera papers, monitor, single-channel video with sound, dimensions variable

無題(記錄),2022

,即影即有相紙、顯示屏、有聲單頻道錄像,

可變尺寸
 

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